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SAN NICHOLAS DE TOLENTINO SCULPTURE OF THE BONILLA FAMILY

SAN NICHOLAS DE TOLENTINO SCULPTURE OF THE BONILLA FAMILY

CMPG

The San Nicolas de Tolentino sculpture, estimated to be created in the early 1960s and now over 60 years old, is a significant religious artifact under the care of the Iglesia Filipina Independiente in Ajuy, Iloilo. Measuring 3 feet in total height, the sculpture plays a central role during the annual fiesta on September 10th, serving as a symbol of devotion and community identity. Under the care of Mrs. Bonilla, the sculpture has been passed down through generations, linking familial heritage with spiritual tradition. Despite being kept from public view for confidentiality reasons, the sculpture remains a powerful emblem of ...
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SCULPTURE OF SAN MARTIN DE TOURS OF THE BRGY. CHAPEL OF SINOGBUHAN IN SAN JOAQUIN

CMPG

The wooden sculpture of San Martin de Tours, crafted in Spain and brought to Barangay Sinogbuhan in 1886, is a revered Catholic icon estimated to be 138 years old. It depicts St. Martin as a cavalryman on horseback cutting his cloak for a beggar. To honor the sculpture’s arrival, the locals performed Sayaw, a traditional ritual war dance between Christians and pagans, to honor the saint who was once a warrior. A community story claims that St. Martin miraculously saved the village from Japanese invaders during WWII, further deepening his spiritual significance for the community. Every November 11, the saint’s ...
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MISSION CROSS OF BARANGAY CALLAN IN POTOTAN

CMPG

The Mission Cross of Barangay Callan in Pototan, made from yakal wood and built by the community, holds a central role during Lent celebrations in the barangay. It is especially prominent during Holy Week processions, symbolizing Christ’s journey to Calvary in the Stations of the Cross. Its significance further lies in its long-standing presence and its connection with the community’s faith and devotion that has been passed down through generations. Despite its age and some damage, including a missing part, it remains a valuable religious symbol, representing shared responsibility and spiritual unity. The barangay now takes responsibility for its upkeep, ...
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ANG ILOY: STATUE OF NUESTRA SEÑORA DE LA CANDELARIA OF THE JARO CATHEDRAL(JARO, ILOILO CITY)

CMPG

The Nuestra Señora de la Candelaria, also known as “Ang Iloy,” is a limestone sculpture of the Virgin Mary and the Child Jesus, traditionally said to have been discovered by local fishermen in the Iloilo River. It stands about 60 inches tall and exudes a regal appearance, with both figures crowned and the Virgin adorned with doce estrellas or twelve stars and a finely embroidered cape. It has been serving as a major pilgrimage site, with devotees visiting for prayers, healing, and requests for blessings. In 1981, the image was crowned by then-Pope John Paul II, making this Marian image ...
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SPANISH-ERA BELLS OF STA. RITA DE CASCIA PARISH CHURCH IN SIBALOM

CMPG

The bells of Sta. Rita de Cascia Parish Church in Sibalom, Antique, are three bells said to have been casted during the Spanish colonial period. One was said to have been casted in 1794, another around 1802, and an undated third, making them among the oldest existing bells in Panay and Negros. The bells were casted by Fr. Jose Abollo, the parish priest, who was known for his skill and expertise in bell casting. The bells played a significant role in the town’s religious and social life, calling people to worship and marking important events, and were symbols of the ...
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STAMPA OF NUESTRA SRA. DEL CARMEN

CMPG

The Stampa of Nuestra Señora del Carmen in Poblacion, Sebaste, is a portrait image framed in a dark varnished narra wood frame, associated with the devotion to Our Lady of Mt. Carmel. Specifically in Sebaste, the portrait is used during novenas when the actual statue is unavailable.The devotion began after the town suffered repeated fires and calamities, prompting a catechist to recommend seeking the intercession of Our Lady of Mount Carmel, who is traditionally believed to protect against fires. The stampa symbolizes the strong faith and devotion of the locals, with the Dionela family personally commissioning the larger portrait for ...
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SANTO ENTIERRO OF THE IGLESIA FILIPINA INDEPENDIENTE IN PATNONGON

CMPG

The Santo Entierro of the Iglesia Filipina Independiente (IFI) is a life-size wooden sculpture of Jesus Christ housed in the IFI Church in Patnogon, Antique. The sculpture is estimated to be over 171 years old, sculpted around 1850. It is believed to have been crafted by the same sculptor as the Santo Entierro in the Museo de Iloilo and was initially used by the Roman Catholic Church until 1902. The image has been part of local celebrations, as part of processions during Holy Week and in visitations by devotees. Over time, it has suffered damage, including yellowing, missing parts, and ...
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SCULPTURE OF SANTA MONICA OF HAMTIC

CMPG

The Statue of Santa Monica in Hamtic is a revered wooden sculpture, with a black gown and gold lace design estimated to be over 150 years old. It was said to have originally been brought to Hamtic by a missionary priest, who entrusted its care to the Javier family. Exelino Delgado Javier, the original owner of the saint, passed it to his youngest daughter, Blesilda A. Javier, who then passed it unto the current caretakers, her nieces and nephews, Mary Jane, Jocelyn, and Exelino Javier Jr. The image is associated with a miraculous event in the 1950s when a woman ...
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SCULPTURE OF ST. JOHN DE NEPOMUCENO

CMPG

The Sculpture of St. John de Nepomuceno in Poblacion, Anini-y is a wooden statue said to have been created around 1900. The statue, which originally held a plant in one hand, features a sculpted three-layered priestly vestment and is displayed in the convent of the Parish of St. John de Nepomuceno. It holds significant spiritual importance as the patron saint of confessions and is central to the parish’s feast celebrations, where it is paraded by male devotees. The statue is one of two old wooden figures of St. John de Nepomuceno in the parish. While similar statues exist in other ...
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